LASER Talks Brussels: Micro Tuning
- mail76643
- Feb 11
- 4 min read
Updated: Mar 27
February 26, 2025, Brussels, Belgium / Online
As part of LASER Talks Brussels
February 26, 2025 at 7 PM CET (UTC +1) — Find your timezone here.
The event will be also live streamed via YouTube
Supported by Fédération Wallonie-Bruxelles and CYLAND Media Art Lab
Chair: Alexandra Dementieva
Panelists: artist Bart Vandeput and researchers Marjan de Mey and Suzie Thomas
Moderator: Edith Doove
This Laser Talk is inspired by Bart Vandeput's artistic research project ‘Koelleven’, which explores the intersections of bio art, energy art, art-science, and bioethics. This transdisciplinary inquiry opens up new perspectives on the interplay between microorganisms, the cooling towers of nuclear power plants, lungs, and air. Through his work, Vandeput merges science and bioethics with visual and sonic media, offering innovative ways of understanding and engaging with these complex and vital relationships. We discuss this together with researchers Marjan de Mey, professor in Metabolic Engineering and Suzie Thomas, professor in Heritage Studies.
Questions that can be asked are how micro tuning is challenging preconceived notions about biodiversity, living organisms as resources, and the urgent need for so-named innovative approaches to contemporary ecological crises? How does it express the tensions associated with the microbiomes residing within the cooling towers of nuclear facilities? Bartaku’s project ‘Koelleven’ on attuning with cooling tower microbes, not only delves into the scientific aspects of microbial communities but also offers a novel conceptual framework. By embracing the ethics of attuning, deep sensing, and responding, it aims to inquire about possible ways of reciprocal relationships with these microbial cooling tower communities to foster transformative understandings of multispecies relationships. One of the distinctive aspects of the work is the creation of a visual medium in which the microbial pigments are used for explorative research of dye-based solar cells, microbial biodiversity, and non-extractive bioelectronic futures with the cooling tower landscape.
Koelleven is the first, more visual leg of Bartaku’s research on "How to express the entanglement of microbiomes with cooling towers of nuclear energy facilities lungs, and the air using principles of attuning in an artistic, transdisciplinary inquiry?"
This Laser Talk session will explore philosophical, scientific, and cultural perspectives on the intricate relationships between microorganisms, nuclear energy infrastructure, and the environment. By examining interactions between cooling towers, air, and living organisms, we aim to raise important questions about sustainability, ecological balance, and the hidden ecosystems that sustain life. This talk seeks to foster innovative research and dialogue by weaving together insights from art, science, and bioethics.
Bartaku
Bartaku (Bart H.M. Vandeput, PhD) is an artist situated in the fields of Bio- and Energy art. Bartaku's practice explores relations between light, electrical energy, humans, plants and microbes. It senses for – and plays with – tensions between disciplines, process and result, makers and audiences, living and non-living, human and other-than-human. Currently he is senior researcher and postdoc at the Department of Philosophy of Antwerp University. He is visiting researcher at the New Energy Technologies Group at Aalto University, the Centre for Synthetic Biology at Ghent University and X-LAB at Hasselt University.
Marjan de Mey
Marjan de Mey is Professor in Metabolic Engineering at Ghent University where she leads the Metabolic Engineering group at the Centre of Synthetic Biology (CSB). She received her PhD in Bioscience Engineering from Ghent University and was visiting researcher at TU Delft (The Netherlands) and MIT (USA). Marjan’s research interests are at the front of industrial biotechnology, metabolic engineering and synthetic biology focusing on the development of biotechnological production processes.
Suzie Thomas
Suzie Thomas is a Professor in Heritage Studies at the University of Antwerp, Belgium. She completed her PhD at Newcastle University, UK, and has worked in the heritage sector and in academia in England, Scotland and Finland before moving to Belgium in 2021. She is currently head of the Heritage Studies department in Antwerp, and when she is not sitting in Faculty meetings she is interested in so-called 'dark' heritage, heritage crime, and 'outsider' perspectives on culture and heritage.
Alexandra Dementieva
Alexandra Dementieva is a multimedia artist, based in Brussels. The idea of interaction between the viewer and an artwork, mediated by technologically progressive visualization methods, lies at the core of her work. In her installations she uses various art forms on an equal basis: dance, music, cinema and performance. Akin to an explorer she raises questions related to social psychology and theories of perception suggesting solutions to them by contemporary artistic means, that is by taking a subjective stance behind a camera. Her installations focus on the role of the viewer and her/his interaction with an artwork and bring forth ways of provoking the viewer’s involvement thus allowing hidden mechanisms of human behaviour to be revealed.
Edith Doove
Edith Doove (PhD) is a curator, writer and researcher, specifically interested in notions of emergence and contingency, cross and transdisciplinary collaborations. She holds a PhD as member of Transtechnology Research at Plymouth University where she is a postdoctoral advisor. Since 2018 she lives and works in France, currently in Rouen where she teaches at ESADHaR (École supérieure d’art et design Le Havre Rouen). She was the curator visual arts for the arts festival Watou in 2023 and currently prepares an exhibition and publication on the Research Group and their influence on art education for the Stadsmuseum and PXL School of Arts in Hasselt (autumn 2024).
