April 23, 2022, Brussels, Belgium / Online
LASER Talks Brussels
April 23, 2022, 7 pm CEST (UTC+2)
dinA (the contemporary art laboratory/center) Nieuwbrug 3 Rue du Pont Neuf / Brussels 1000 Bruxelles
Materialising digital matter into sound objects, embodied music interaction, spatialisation technologies to enable and investigate synchronisation between musical players using movement and sound, the physical aspects of musical human machine interaction, reinterpretation the physical value of well established cultural techniques creating Tangible user Interface.
Claire Williams is working at the borders of science, technology, arts and textiles. She sees her self as an artist and researcher that tries to work between these fields, finding a common language, creating and amplifying specific interactions between different mediums. Her obsessions lay mostly around data, sound and ancient textiles, trying to materialise digital matter, imperceptible or inaudible informations found in our super saturated techno environment. She likes to work with unstable media, researching ways to create specific tools, usages or techniques to give us a sensitive experience of our daily environment. In her work she mainly uses textile techniques, hacked machines, DIY electronics, open source software and hardware.
Enrique Tomás is a sound artist and post-doc researcher who dedicates his time to finding new ways of expression and play with sound, art and technology. His work explores the intersection between sound art, computer music, locative media and human-machine interaction. As an individual artist, Tomás’ activity is centred around ultranoise.es and focuses on performances and installations with extreme and immersive sounds and environments. He has exhibited and performed in spaces of Ars Electronica, Sonar, CTM, IRCAM, IEM, KUMU, SMAK, NOVARS, STEIM, Steirischer Herbst, Alte Schmiede, etc., and in galleries and institutions throughout Europe and Latin America.
Bavo Van Kerrebroeck is a researcher in the fields of embodied (musical) interaction, extended reality and human-computer interaction. He works with extended reality and audio spatialization technologies to enable and investigate the dynamical processes underlying coordination between musical players. For this purpose, he develops enriched and mediated musical contexts in which people and machines interact and can meaningfully express themselves. He obtained a master’s in engineering and computer music at the KUleuven and Sorbonne University, did a research internship at IRCAM and worked as an analyst for IBM and the European Space Agency. He is currently finalizing his PhD at the Institute of Psychoacoustics and Electronic Music (IPEM). His work has been published in the Frontiers and Computer-Human Interaction journals and has been presented at ISMIR, ICMC and Expanded Animation at Ars Electronica.
Dr. Edith Doove is a curator, writer and researcher, specifically interested in notions of emergence and contingency, cross and transdisciplinary collaborations. She holds a PhD as member of Transtechnology Research at Plymouth University. Since 2018 she lives and works in France, currently in Rouen where she teaches at ESADHaR (École supérieure d’art et design Le Havre Rouen). She is a postdoctoral advisor with Transtechnology Research, a regular contributor to Leonardo Reviews, moderator of the Leonardo LASER Talks Brussels and co-convenor of Currer Bell College. Recent exhibition projects are Loving Care – Pierre Mertens (Blikfabriek, Antwerp, 2020), Troupe/Troep (ChezKit, Pantin/Paris, 2021) and the 10th anniversary version of the international art project Bolero (Rouen, 2021).
Alexandra Dementieva is a multimedia artist, based in Brussels. The idea of interaction between the viewer and an artwork, mediated by technologically progressive visualization methods, lies at the core of her work. In her installations she uses various art forms on an equal basis: dance, music, cinema and performance. Akin to an explorer she raises questions related to social psychology and theories of perception suggesting solutions to them by contemporary artistic means, that is by taking a subjective stance behind a camera. Her installations focus on the role of the viewer and her/his interaction with an artwork and bring forth ways of provoking the viewer’s involvement thus allowing hidden mechanisms of human behaviour to be revealed.